The Platform (2019)
There are 3 kinds of people; the ones above, the ones below, and the ones who fall.
Director: Galder Gaztelu-Urrutia · Writers: Pedro Rivero, David Desola
A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.
Where to watch
Netflix
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Trailer
Director
Galder Gaztelu-Urrutia
Cast
Ivan Massagué
Goreng 
Antonia San Juan
Imoguiri 
Zorion Eguileor
Trimagasi 
Emilio Buale
Baharat 
Alexandra Masangkay
Miharu 
Zihara Llana
Mali 
Mario Pardo
Baharat's Friend 
Algis Arlauskas
Inmate #1
Txubio Fernández de Jáuregui
Chef 
Eric Goode
Mr. Brambang 
Óscar Oliver
Cook #1 
Chema Trujillo
Level 5 Male Inmate User Reviews (8)
*don't waste your time*. Most of the movie happens in a sort of multi-floor prison where the top levels can control the food that goes to the bottom floors. This created a sort of class structure where top-levelers had pleasure on denying food to the bottom levels, although the floors were sorted periodically. The protagonist started to question this structure and tried to change it. Although starting well, the movie lost its track trying to be too much symbolic and enigmatic. The ending was very disappointing leaving too many loose ends that should have been closed.
A violent form of demonstration of the problems of capitalist society. Despite the fact that the level of violence is too much for me, I understand purpose of it for narration. Actually I find this film quite spiritual. The parallel between Jesus and Christian values is quite obvious.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Netflix has been supporting small, independent filmmaking for a while now. In 2018, Roma (re)opened a Best Picture nomination path to foreign films. Last year, Martin Scorsese's epic The Irishman could only come to life via streaming since no major studio wanted a three-and-a-half-hour runtime for a theater release. Between these two, dozens of other indie flicks got Netflix's (or other streaming networks) support. 2020 brings us a Spanish horror-thriller from a first-time director (Galder Gaztelu-Urrutia): The Platform (or El Hoyo). Since its showing at TIFF, this movie has been receiving overwhelmingly positive feedback. So, obviously, I needed to add it to my list. I watched it a couple of days ago, and I wanted to take time to think about it because it's definitely going to become …
A fantastic watch, will watch again, and can recommend. This is a survivalist movie, heavy with philosophy of morality. A lot of the time when I get to say anything close to that, I get to say, "but there is humor too", there is not: not traditional humor anyways. This is a dark movie filled with metaphor and cruel reality. Now while I am usually offended by reality encroaching on my escapism, that is normally when I'm trying to watch dirt humor. When to take a concept like this, the relation to reality only strengthens the movie. "Those above, and those below" is something to think about, and if that intrigues you or you're already onboard for a philosophical discussion of anti-hierarchical class society structure, or intrigue by the idea that it doesn't matter who or when someone is in the class structure: it defeats the society just by being. The production value is min…
Rate: zero This is what happens when we build a house for a door (instead of building a house and then put doors in it); An exotic, dirty and cluttered movie. Dirty but not necessarily in the visual meaning but in the cinematic meant. The director does not know what he wants to do at all, the camera angles, the frames, the compositions and everything are completely in the air, he just knows he wants to beat capitalism but he does not know how and for this purpose, which is what He does not do well, he comes to the great art of cinema and insults it with this film. A film must first become a cinematic work and then speak, first a house must be built and then several doors must be left for it, it is not possible to throw an ideology in the middle and make a film around it, of course, if it is possible to call this film, a film! Symbolism and the use of symbols are correct when the direc…
An extremely cruel and disturbing psychological dystopian thriller. 7/10
**The Platform is a unique story that asks some deep questions but ultimately left me disappointed.** The Platform has such an intriguing concept that raises a variety of potent philosophical and moral questions and dilemmas. The film begs the question, “What if?” How would I respond in such dire and impossible circumstances? What would I do? As characters grapple with their desperate circumstances, a hero attempts to find hope by devising a plan to send a message to their captors and possibly save lives. Unfortunately, the movie doesn’t really provide any answers or assure any resolution or salvation. It just kind of ends after an hour and forty minutes of disturbing hopelessness. It probably has some deeper meaning that I missed but definitely not my kind of movie.
"The Platform" is one of those movies that sticks with you long after the credits roll. It's not your typical horror flick, though it definitely has some gruesome moments. This isn't about jump scares, it's about a terrifying concept that's surprisingly relevant to our world. The directing is brilliant. They keep the tension high throughout, and the way they use the limited space of "the pit" is incredibly claustrophobic. The cinematography is equally impressive, with some truly unsettling visuals. The acting is solid across the board, with each character adding a unique layer to the story. The script is sharp and thought-provoking. It doesn't spoon-feed you the message, forcing you to grapple with the ethical dilemmas at the heart of this dystopian society. And let's not forget the score, which is both eerie and unsettling, perfectly complementing the film's atmosphere. "The Platf…
