Prisoners (2013)
How far would you go to protect your child?
Director: Denis Villeneuve · Writer: Aaron Guzikowski
After his six-year-old daughter is abducted, a desperate father takes justice into his own hands when he loses faith in the detective leading the investigation, setting both men on a collision course as the search descends into obsession and moral compromise.
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Trailer
Director
Denis Villeneuve
Cast
Hugh Jackman
Keller Dover 
Jake Gyllenhaal
Detective Loki 
Viola Davis
Nancy Birch 
Maria Bello
Grace Dover 
Terrence Howard
Franklin Birch 
Melissa Leo
Holly Jones 
Paul Dano
Alex Jones 
Dylan Minnette
Ralph Dover 
Zoë Soul
Eliza Birch 
Erin Gerasimovich
Anna Dover 
Kyla-Drew
Joy Birch 
Wayne Duvall
Captain Richard O'Malley User Reviews (8)
Really intense and well done thriller. One of the few in the last years with great performances by Jackman, Gyllenhaal and Dano. It also has some content to chew. I really enjoyed watching it.
Certainly Villenueve's most accessible film, but still a very good one. Final rating:★★★½ - I strongly recommend you make the time.
What a powerful film and what a great acting. I just couldn't help rewinding various scenes throughout, especially when Jackman's character showed anger and frustration for either his child being abducted or having what he thought was the culprit being tortured, although getting nowhere. Definitely a must for Mystery/Drama. 8/10
MUST SEE MOVIES BEFORE YOU DIE, another masterpiece by Hugh Jackman, surprising plot-twist!!
Be prepared for the worst, but hope for the best. Pray for the best, but prepare for the worst. Prisoners is directed by Denis Villeneuve and written by Aaron Guzikowski. It stars Hugh Jackman, Jake Gyllenhaal, Viola Davis, Terence Howard, Maria Bello, Melissa Leo and Paul Dano. Music is by Jóhann Jóhannsson and cinematography by Roger Deakins. When Keller Dover's (Jackman) daughter and her friend go missing, he takes matters into his own hands... At first glance of the plot synopis, one could be forgiven for thinking this is yet another revenge thriller filled out by police procedural side-bars. How pleasant to find that Prisoners has more to offer than a simple who is the criminal? And just how far will a vengeful father go to satiate his grief?. Prisoners is such an apt title because all the main players here are trapped by either mental fragility or victims of their i…
**This heavy film is not for everyone but for those that enjoy suspenseful crime cinema, this is one of the absolute best.** A crime thriller that brilliantly manages its slow pace to create the same dread the characters feel in the hearts of the audience. Every passing second steals the parents' hope away that they could ever find their children alive. Everything about this movie emphasizes the story's emotion, from the acting and muted color tones to the sets and directing.
Prisoners is a carefully constructed labyrinth, deceptively simple and very clever. The material was nothing new even when the film was released, but director Denis Villeneuve (pre-Dune) and screenwriter Aaron Guzikowski work a few unexpected twists and turns into their maze to keep us on our toes. The key element, however, is Hugh Jackman’s career-best performance as Keller Dover, a father whose patience for police work quickly runs thin when Detective Loki (the always effective Jake Gyllenhaal) fails to find Dover’s kidnapped little daughter. It will surprise no one that Dover decides to take the law into his own hands, recruiting Franklin Birch (Terrence Howard), his best friend whose daughter has also gone missing, to kidnap the only suspect – whom the police has ruled out for the moment –, take him to an abandoned house, and beat a confession out of him. This is par for t…
Prisoners is a largely generic revenge / suspense / mystery "they have my kid" tale with a predictable plot that gives itself away too early. No attempt at realism, this is Scooby-Doo style investigation - lie detectors are treated seriously, "bad guys" are largely 1-dimensional with poorly explained motives designed to surprise rather than give insight, etc. It tries to make up for this in a few ways: a) bump up the intensity of scenes (comes across forced and awkward), b) add extra violence and dark semi-religious symbolism (seems out of place and largely meaningless), and most importantly c) maintain an air of mystery by throwing left-field plot points at you every 3-5 minutes to keep your attention. If you carefully note the clues, about half way through the film it strongly indicates the finale. After that the air of mystery that keeps the film feeling suspenseful largely dis…
