Peter Kubelka (born 23 March 1934 in Vienna, Austria) is an Austrian experimental filmmaker, architect, musician, curator and lecturer. His films are primarily short experiments in linking seemingly disparate sound and images. He is best known for his 1966 avant-garde classic Unsere Afrikareise (Our Trip to Africa). Kubelka made 16mm films, mostly shorts, and is known for his 1960 film Arnulf Rainer, a "flicker film" which alternates black and clear film that is projected to create a "flicker" effect. Kubelka also designed the Anthology Film Archives custom film screening space in the 1970s in New York. The theater had highly raked (tiered) seating with a cowel over each seat and visual barriers between each seat so that the audience member was totally isolated visually from other patrons. The theater was painted black and the seating was covered in black velvet. The only light in the room between film showings came from a spotlight aimed at the screen, thus ensuring that the only light in the room came from the screen. The design is illustrative of the purist aesthetic of the Avant Garde film movement of that era. Description above from the Wikipedia article Peter Kubelka, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Peter Kubelka

Peter Kubelka

Directing Born March 23, 1934 Wien, Austria

Peter Kubelka (born 23 March 1934 in Vienna, Austria) is an Austrian experimental filmmaker, architect, musician, curator and lecturer. His films are primarily short experiments in linking seemingly disparate sound and images. He is best known for his 1966 avant-garde classic Unsere Afrikareise (Our Trip to Africa).

Kubelka made 16mm films, mostly shorts, and is known for his 1960 film Arnulf Rainer, a "flicker film" which alternates black and clear film that is projected to create a "flicker" effect. Kubelka also designed the Anthology Film Archives custom film screening space in the 1970s in New York. The theater had highly raked (tiered) seating with a cowel over each seat and visual barriers between each seat so that the audience member was totally isolated visually from other patrons. The theater was painted black and the seating was covered in black velvet. The only light in the room between film showings came from a spotlight aimed at the screen, thus ensuring that the only light in the room came from the screen. The design is illustrative of the purist aesthetic of the Avant Garde film movement of that era.

Description above from the Wikipedia article Peter Kubelka, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Known For

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty poster

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

Self
Diaries, Notes, and Sketches poster

Diaries, Notes, and Sketches

Self
Reminiscences of a Journey to Lithuania poster

Reminiscences of a Journey to Lithuania

Self
365 Day Project poster

365 Day Project

Self
Birth of a Nation poster

Birth of a Nation

Self
He Stands in a Desert Counting the Seconds of His Life poster

He Stands in a Desert Counting the Seconds of His Life

Self (archive footage)
Cinema Austria, the first 112 Years poster

Cinema Austria, the first 112 Years

Himself
Free Radicals: A History of Experimental Film poster

Free Radicals: A History of Experimental Film

Himself
Cinématon poster

Cinématon

N°295
Home Movies 1971-81 poster

Home Movies 1971-81

Tapes poster

Tapes

Cinématon XXX poster

Cinématon XXX

N°295