Paul Joseph Schrader (/หˆสƒreษชdษ™r/; born July 22, 1946) is an American screenwriter, film director, and film critic. He first became known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also worked extensively as a director: his 23 films include Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017), with the last of these earning him his first Academy Award nomination. Schrader's work frequently depicts "man in a room" stories which feature isolated, troubled men confronting an existential crisis. Raised in a strict Calvinist family, Schrader attended Calvin College before pursuing film studies at UCLA on the encouragement of film critic Pauline Kael. He then worked as a film scholar and critic, publishing the book Transcendental Style in Film: Ozu, Bresson, Dreyer (1972) before transitioning to screenwriting in 1974. The success of Taxi Driver in 1976 brought greater attention to his work, and Schrader began directing his own films, beginning with Blue Collar (co-written with his brother, Leonard Schrader). Schrader has described three of his recent films as a loose trilogy: First Reformed (2017), The Card Counter (2021), and Master Gardener (2022). Description above from the Wikipedia article Paul Schrader, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Paul Schrader

Paul Schrader

Writing Born July 22, 1946 Grand Rapids, Michigan, USA

Paul Joseph Schrader (/หˆสƒreษชdษ™r/; born July 22, 1946) is an American screenwriter, film director, and film critic. He first became known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also worked extensively as a director: his 23 films include Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017), with the last of these earning him his first Academy Award nomination. Schrader's work frequently depicts "man in a room" stories which feature isolated, troubled men confronting an existential crisis.

Raised in a strict Calvinist family, Schrader attended Calvin College before pursuing film studies at UCLA on the encouragement of film critic Pauline Kael. He then worked as a film scholar and critic, publishing the book Transcendental Style in Film: Ozu, Bresson, Dreyer (1972) before transitioning to screenwriting in 1974. The success of Taxi Driver in 1976 brought greater attention to his work, and Schrader began directing his own films, beginning with Blue Collar (co-written with his brother, Leonard Schrader). Schrader has described three of his recent films as a loose trilogy: First Reformed (2017), The Card Counter (2021), and Master Gardener (2022).

Description above from the Wikipedia article Paul Schrader, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Late Night with Seth Meyers poster

Late Night with Seth Meyers

Self - Guest
The South Bank Show poster

The South Bank Show

Close Up with The Hollywood Reporter poster

Close Up with The Hollywood Reporter

Self
Mr. Scorsese poster

Mr. Scorsese

Self
The Last Movie Stars poster

The Last Movie Stars

Self
The Story of Film: An Odyssey poster

The Story of Film: An Odyssey

Self
Scene by Scene poster

Scene by Scene

Self
Dog Eat Dog poster

Dog Eat Dog

El Greco
Venice 70: Future Reloaded poster

Venice 70: Future Reloaded

Self (segment Paul Schrader)
Playboy: Sex at 24 Frames Per Second poster

Playboy: Sex at 24 Frames Per Second

Self
Best Served Cold: How a Revenge Film was Buried for Decades poster

Best Served Cold: How a Revenge Film was Buried for Decades

Himself
Hitchcock/Truffaut poster

Hitchcock/Truffaut

Self