Twins Ronnie and Reggie Kray are raised in east London, under the influence of their hateful but doting mother Violet. As they grow up, Ronnie's violent nature takes over, and Reggie follows his brother's lead. The two become notorious crime lords who rule over the East End club scene. But at the height of their power, the brothers veer into different lives, giving the older crime bosses a chance to reclaim what the Krays took from them.

The Krays poster

The Krays (1990)

When people are afraid of you... you can do anything. Remember that.

★ 6.1/10 April 27, 1990 119 min

CrimeDramaHistory

Director: Peter Medak  ·  Writer: Philip Ridley

Twins Ronnie and Reggie Kray are raised in east London, under the influence of their hateful but doting mother Violet. As they grow up, Ronnie's violent nature takes over, and Reggie follows his brother's lead. The two become notorious crime lords who rule over the East End club scene. But at the height of their power, the brothers veer into different lives, giving the older crime bosses a chance to reclaim what the Krays took from them.

Trailer

Director

Peter Medak Peter Medak

Cast

Gary Kemp Gary Kemp Ronald Kray Martin Kemp Martin Kemp Reggie Kray Billie Whitelaw Billie Whitelaw Violet Kray Tom Bell Tom Bell Jack 'The Hat' McVitie Susan Fleetwood Susan Fleetwood Rose Charlotte Cornwell Charlotte Cornwell May Kate Hardie Kate Hardie Frances Avis Bunnage Avis Bunnage Helen Alfred Lynch Alfred Lynch Charlie Kray Snr Gary Love Gary Love Steve Steven Berkoff Steven Berkoff George Cornell Jimmy Jewel Jimmy Jewel Cannonball Lee

User Reviews (1)

CinemaSerf
CinemaSerf May 29, 2025
★ 6/10

Despite the bests efforts of the usually reliable, if hardly versatile, Tom Bell to rescue this pedestrian story of London’s most infamous gangsters, this really doesn’t light any touch papers. Perhaps because neither Martin nor Gary Kemp are much good as actors, nor do either of them exude any sense of menace as this rather tepid biopic trundles along for two hours. “Reggie” (Martin) and gay brother “Ronnie” (Gary) are determined to impress their mother (the underused Billie Whitelaw) with a criminal enterprise that was able to thrive as the city and the country strove to recover from the Second World War. What does work here is the exposure of the sub-culture of criminality that prevailed in what was little better than a lawless East End of London; where protection rackets, prostitution and illicit trading was rampant and where, to some extent, these two men were seen as be…