A young man finds himself attracted to a cold and unfeeling waitress who may ultimately destroy them both.

Of Human Bondage poster

Of Human Bondage (1934)

The Love That Lifted a Man to Paradise......and Hurled Him Back to Earth Again

★ 6.5/10 July 20, 1934 83 min

DramaRomance

Director: John Cromwell  ·  Writer: Lester Cohen

A young man finds himself attracted to a cold and unfeeling waitress who may ultimately destroy them both.

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Trailer

Director

John Cromwell John Cromwell

Cast

Leslie Howard Leslie Howard Philip Carey Bette Davis Bette Davis Mildred Rogers Frances Dee Frances Dee Sally Athelny Kay Johnson Kay Johnson Norah Reginald Denny Reginald Denny Harry Griffiths Alan Hale Alan Hale Emil Miller Reginald Sheffield Reginald Sheffield Cyril Dunsford Reginald Owen Reginald Owen Thorpe Athelny Desmond Roberts Desmond Roberts Dr. Jacobs Harry Allen Harry Allen Taxi Driver (uncredited) Ray Atchley Ray Atchley J. Murphy (uncredited) Frank Baker Frank Baker Policeman Removing Mildred (uncredited)

User Reviews (2)

CinemaSerf
CinemaSerf June 13, 2022
★ 7/10

I can tell when I am engaged with a film if I want to get off the chair and strangle one of the cast... Well Leslie Howard engenders exactly that feeling as he plays the hapless, lovestruck "Philip" who has fallen in love with the nasty, scheming "Mildred" - Bette Davis (with a rather dodgy English agent). The chemistry between the two of them is great. She treats him appallingly, yet like a doting puppy he comes back for more each time. John Cromwell keeps this going deftly; we see the characterisations from W. Somerset Maugham's novel unfold before us and I felt genuinely invested.

tmdb28039023
tmdb28039023 August 27, 2022
★ 6/10

Early on in Of Human Bondage Philip Carey (Leslie Howard) is told “You will never be anything but mediocre.” Soon after, Mildred Rogers is described as “anemic … ill-natured and contemptible.” Neither will ever do anything to disprove these assessments. Carey especially will never be able to overcome his weakness; he was literally born with a clubfoot, but his real problem is that he never develops a figurative spine. We leave the film convinced that, had Mildred not died, Carey would have kept taking her back in at the expense of far worthier women – worthier than Mildred, yes, but worthier than him as well. Now, as mediocre and contemptible as Carey and Mildred are – and they take mediocrity and contempt to heights, or rather lows, that arguably have yet to be matched almost a century later –, there is a sort of astronomical fascination in watching them follow their …