‘Josephine’ Director Beth De Araújo Delivers Powerful Speech Condemning Cornell Rape Case
“Josephine” director Beth de Araújo used her Breakthrough Director Award acceptance speech to ask men to “hold each other accountable” at the Critics Choice Association’s Celebración of Cinema & Television.
‘Behemoth!’ Review: Pedro Pascal Plays a Wayward Cellist in Tony Gilroy’s Movingly Atonal Character Study About How People Conduct Themselves
The “Andor” creator returns to the big screen with a movie that’s smaller and stranger than its title would suggest.
What Has the Last Decade at Netflix Done for David Fincher?
With Fincher letting his Netflix deal expire, it’s worth assessing whether “Mank,” “The Killer,” “Mindhunter,” and the upcoming “Cliff Booth” movie have had real cultural impact.
SCAD Savannah Film Festival Lineup Includes ‘Being Heumann,’ ‘A Talent for Murder,’ and More
“The Debut,” “Behemoth!” “Clarissa,” and “Wild Horse Nine” are among the films playing at the 2026 SCAD Savannah Film Festival.
‘Cameron Winter at Carnegie Hall’ Review: PTA’s Spellbinding Concert Doc Is a Gorgeously Tender Performance
New York Film Festival: Paul Thomas Anderson operates his own Panavision camera onstage as the Geese frontman plays and croons through hauntingly sparse piano arrangements.
Indie Filmmakers Push Back Against Claims That There Aren’t Enough Movies to Buy
Distributors say there’s high demand for indie films that are distinctive and broadly commercial. Artists like Annapurna Sriram want to know how big a movie has to be before it counts.