Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

Samsara poster

Samsara (2011)

★ 8.1/10 September 16, 2011 102 min

Documentary

Director: Ron Fricke  ·  Writers: Ron Fricke, Mark Magidson

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

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Trailer

Director

Ron Fricke Ron Fricke

Cast

Ni Made Megahadi Pratiwi Ni Made Megahadi Pratiwi Dancer: Valinese Tari Legong Dancers, Indonesia Puti Sri Candra Dewi Puti Sri Candra Dewi Dancer: Valinese Tari Legong Dancers, Indonesia Putu Dinda Pratika Putu Dinda Pratika Dancer: Valinese Tari Legong Dancers, Indonesia Marcos Luna Marcos Luna Tattoo Daddy: USA Hiroshi Ishiguro Hiroshi Ishiguro Professor and Robot Clone: Japan Olivier De Sagazan Olivier De Sagazan Man At Desk: France Ladyboys of Cascade Bar Ladyboys of Cascade Bar Dancers: Thailand Kikumaru Kikumaru Geisha: Japan Crisanto Neire Crisanto Neire Lead Singer: Cebu Provincial Detenton Center, Philippines Robert Henline Robert Henline US Army Veteran: USA (as Staff Sergeant Robert Henline) Tai Lihua Tai Lihua Lead Dancer: 1000 Habds Goddess Dance, China Collin Alfredo St. Dic Collin Alfredo St. Dic Self - Cyclist

User Reviews (1)

CRCulver
CRCulver September 10, 2018
★ 5/10

In 1993, filmmakers Ron Fricke and Mark Magidson presented a deeply moving portrait of features universal to all human societies, warned of ecological collapse, and depicted how technology was changing our lives in Baraka. Shot on 70mm film in 30-odd countries, this was one of the most visually impressive films ever made, and its lack of any dialogue or narration allowed viewers to engage in their own individual reflections about the panorama on the screen. Two decades later, the team returned with Samsara, a sequel that wasn't really necessary. One reason that Samsara is not very good is that it often seems a shot-for-shot repeat of Baraka. The filmmakers revisit many of the same locations (such as Thai prostitutes, a chicken-processing plant, home appliance factories, landfill gleaners). Again Buddhism, the Ka'aba and high church Christianity are depicted, but because the film does …