It Ends (2026)
Some wrong turns last forever.
Director: Alexander Ullom · Writer: Alexander Ullom
A group of recent grads head out on a late night drive for grub, hoping to enjoy one final hangout before their paths diverge. Instead, they accidentally turn onto a never-ending, two-lane hellscape surrounded by untold horrors and cosmic forces beyond their understanding. Cramped together inside a Jeep Cherokee and with the miles stretching infinitely ahead, they face a choice: embrace their new existence or fight to escape it.
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Trailer
Director
Cast
Phinehas Yoon
James 
Akira Jackson
Day 
Noah Toth
Fisher 
Mitchell Cole
Tyler 
Jenny Doyle
Fisher's Mom (voice)
Jon Linstad
Interrogated Man
Ian Weir
Lost Man 
Alexander Ullom
Passenger 
Antonio Andrés Rosello
Background Cast
Dakota Shiver
Background Cast
Dennis Brewer
Background Cast 
Grace Wu
Background Cast User Reviews (2)
Open wide and still claustrophobic It is a bit strange how an open road can feel claustrophobic, but it does. It is a well acted movie, and while the plot is only there to allow for character exploration, and you never truly get to learn a whole lot about the actual setting, that's part of the idea. Resolutions are optional in such stories. The movie is by no means bad, but it is not one I will revisit and rewatch.
In the interest of full disclosure up front, I’ll do my best to assess this release without being overly unkind. To be honest, this debut feature from writer-director Alexander Ullom has almost assuredly earned itself a spot on my “Worst of 2026” list. Loosely based on the 1944 existentialist stage play *No Exit* by Jean-Paul Sartre, “It Ends” tells the story of four twenty-something friends (a term I use loosely) (Phinehas Yoon, Mitchell Cole, Akira Jackson, Noah Toth) who embark on a late-night drive but soon find themselves lost on a never-ending highway through a thickly forested woodland from which there’s no apparent escape (*i.e.*, “no exit”). In an effort to spice up the plot, the narrative subsequently attempts to infuse a few horror tropes, but, sadly, these poorly handled elements aren’t particularly scary or the least bit enlightening in defining the essence…
